Tag Archives: poem

Thinking ape. Credit: Pixel-mixer/pixabay

The worst poem ever

How does feel to write a story and then, just like that, have everyone read it as well as be interested in reading it?

How would it feel to not have to hope quasi-desperately that a story does well after having spent hours – if not days – on it?

How would it feel to not slog and slog, telling yourself that you just need to be proud of covering a beat few others have chosen to?

“Good journalism can only emerge from being a good citizen” – but is there a way to tell what kind of citizenship is valuable and what kind not?

Of course, I’m also asking myself questions about why it is that I chose to be a journalist and then a science journalist.

The first one doesn’t have a short answer and it’s probably also too personal to be discussing on my blog. So let’s leave that for another day, or another forum.

Why science journalist? Because it’s like Kip Thorne has said: it was the pleasure of doing “something in which there was less competition and more opportunity to do something unique.”

When I tell people I’m a science journalist, a common response goes like this: “I’ve distanced myself from science and math since school”. And it goes with a smile. I smile, too.

Except I’m not amused. This mental block that many people have I’ve found is the Indian science journalist’s greatest enemy – at least it’s mine.

What makes it so great is that, to most people, it’s a class- and era-specific ‘survival skill’ they’ve adopted that has likely made their lives more enjoyable.

And we all know how hard it is give fucks about the wonders that unknown unknowns can hold. It’s impossible almost by definition.

Then there are also so many fucks demanded of us to be given to the human condition.

But Ed Yong’s tweet I will never forget, though I do wish I’d faved it: there’s so much more to science than what applies to being human.

Of course, there’s the other, much simpler reason I’m thinking all this, and so likelier to be true: I’m just a lousy science journalist, writing the worst poem ever.

Featured image credit: Pixel-mixer/pixabay.



This is a little something for a friend who was getting married. To be frank, I wouldn’t have written it if not for her uncle.

It’s called Celebration, inspired by the Lord Tennyson’s Vastness (c. 1892).

A storm-felt sculpture not to be read,
And a bough, upon its bosom a moulder’d nest,
Astride its weary form, stood stark by the dead;
And beyond him, hung low in the West,

With one thousand rays of shadow and light,
And many in colour but only one in form,
‘Twas a baleful orb that over the gates of night,
A sun, glaring at a coming storm.

Then glided a rapturous paragon forth,
That on the passage of time had thriven;
They call’d her ‘Beauty’ here upon earth,
And the mortal engines of life in heaven.

Behold! For she sang and the people turned,
And the beauty of her voice caught like a flame
From heart to heart it sprang, and on, it burned,
Till her nobility was her soul whence it came.

The voice that sung nae deserving an old sun set,
But a sun rising in the East, in his youth!
Great and noble—oh, yes—but yet—
A man, as men everywhere are, a lover of truth

And bound to follow, wherever she goes,
Hither, thither, and up or down,
Through high hill-passes of stainless snow,
Or the foulest sewer of the town!

Noble and great—oh, aye—but then,
And here a prophet just has earned his due,
For the man was noblier-fashion’d than other men!
Lo! Shall we see to it, then, I and you,

To help the love paving their pathway still,
Until it presses into ardour the evening’s din
Behold! They rise with togetherness, and will,
Now, each others’ hearts aspire to win.

Autumns and Winters, Springs and Summers,
And all old revolutions of this good earth;
Travails of our Empire—carpentered wonders—
What is all of it worth?

Treasures are they all, if we all of us stand
Here as one, in this finest of hours,
Swallowed in mirth, and hand in hand,
To thus bear witness to the celebration of lovers!

Dorothy & The Dingbats

Ere last evening a scene
Caught all the townsfolk’s eye:
‘Twas poor Billy weeping, oh!
Quoth he: “Mary loves me, but why!
Because I can dance? That lie!”

Then Dorothy raised a hand up,
And offer’d to teach down his worry:
“You’ll be swinging to good music;
Behold! Mary’ll swoon in a hurry,
Leaving her lonely heart in a flurry!”

So Dorothy got her shiny li’l shoes on,
And The Dingbats struck up a song!
Clapping, ev’ryone came out to watch!
They crowded round her in a throng,
But Billy was still lost; he’d stared long!

She had him watch her legs,
And danced, tra-la la-la la!
But he never got it, he didn’t,
You wouldn’t blame him, would ya:
She wasn’t wearing a bra!

When geeks aspire

On the first day of school,
A geek was born in class;
The kids made fun of him,
Burying a fear inside that math just got harder to pass!

When the words fall down,
His stories are made:
It’s a tale with a moral
That’ll teach you humility and the will to never fade!

When the slut whispered that
For her homework he’d have her flower,
He did it all knowing anyway
That once the time came he’d have to finish in the shower!

When it’s time for DotA-
Get high on frame-rate thrills-
Immortal guts and glory:
It’s not over until they’re all m-m-m-monster kills !

When the card’s on the table
And the bet’s are on hold,
He’s got no poker face;
Smart kid’ll teach you what isn’t stupid but bold!

When geeks aspire,
The game doesn’t end that way!
It plays itself, on and on,
Until he’s got a Wikipedia page on his name some day!

Why Quentin Tarantino is wrong

(This article involves a prelude that I insist you read.)

It’s important to understand that technology does not, and will not for a long time to come, replace emotional expression and emotional honesty, and that’s where I think the great Quentin Tarantino could be wrong. He once famously stated that,

“You can’t write poetry on a computer.”

I appreciate his loyalty to the ideals of romanticism but, looking at it axiomatically, he chose to say “computer” and not anything else (although don’t ask me what “anything else” could be). What does a computer do to effectively reduce the “poeticness” of a poem? What is it about an electronically supplied numerical input and an electromagnetically generated visual output that is beaten by a leaky fountain pen and paper that crumbles at the lightest touch-or should I say that it is a matter of individual investment and computers limit that when they shouldn’t? I don’t agree. If anything, typewriters and computers make it easier to compose real poetry: poetry that is completely independent of its medium, poetry that finds it rational to reflect only the literary prowess and emotional content of the individual (objective) and not his/her association with the oldest form of literary communication (subjective).

Poetry, you see, is an abstraction just like beauty and justice are, and if Tarantino thinks he can’t find them in a computer or only on a piece of paper, then it’s also unfortunately obvious that his films are a product of iconoclastic ideals and the chance of the occasion that I was to be born in 1988, and that doesn’t happen often.

Our individual attitude towards technology does not change the way technology itself behaves; it only changes how much we think it can do for us when we take to it-and this applies even to the tech that is constantly being upgraded and modified to satiate different needs. Similarly, poetry that requires a “non-computer” to be realized is not poetry but what we think is poetry: it is subjective interpretation, one that fails in the face of the slightest opposition, and therefore cannot withstand the test of time.

The fifth traveler

At the edge of civilization,
Where it was raining day and night,
We decided to bury our our feud and join
Each other on the road thereafter.
Now John he was a guitarist
And struck up a tune
That traveled with us as the fourth traveler;
The sound of its music was like the rain,
Trespassing our loneliness like a silent killer.

As we walked we saw an old man
Sitting in a raincoat ‘neath a tree:
He lit up a cold smoke.
Its orange light swam the wrinkles of his hand.
He looked long at us searching for an open ear
Into which he’d crawl to escape the shifting sands.

But we had no time for talk or play
Even though we had nowhere to go
Because each of us knew
That he was in a place where he’d like to stay,
Where the knowing silence of death stalked us,
And the temples were where we wanted to pray.

Gently we came upon a fallen tree,
Uprooted by the fury of an ancient storm,
Its leaves and boughs scattered.
Our journey seemed over in that shadowy sea,
And we rested our backs against the wood,
Finally with that silent surrender becoming free.

And John he finally let his eyes weep
For the loss of a friend long ago;
We tried to hold him down.
His sorrow in the dark was our treasure to keep;
He smashed his guitar there and fell down crying,
And there we lay fear our fifth traveler to sleep.

Not tonight, I’m working.

Did you know the hills have to wait when I’m playing?
Because I don’t have the time to watch them grow.
Did you know the rain has to wait when I’m playing?
Because I don’t have the time to watch it flow.
Did you know the match has to wait when I’m playing?
Because I don’t have the time to watch it glow.
Did you know all the doors have to wait when I’m playing?
Because I don’t have the time to shut them close.
Did you know the hills and the rain and the match
And the doors and the floors and the walls
Are so clean and praise not the blight of a scratch
Simply because I never played in their halls?


All that is about the human condition will endure!
All the way into future’s filthy slums for sure!
All the lies, the profanity and the broken words
Will fly the infinite distance like tireless birds!

The cause of money is its undying plastic will:
What do you care as long as it buys you the thrill?!
What do you care when it reworks all of history,
And erases the gifts of simple truths for a small fee?!

You should be spending your time saving this earth
For all those kids to have a clean place of birth,
Or so I’ve been told in a school where the rich study
While the poor dig the sewers where the water’s bloody!

Gods and goats and pigs and perverts and pinheads
Know it’s got to be done in a time for desperate measures!
When the rich fly their smoking choppers to keep time,
Atlas shrugged his shoulders to profit from crime!

In a Vietnamese grave lies my rotting arm and my glory!
God bless civilization because this is the only story!
Isn’t all this food what we always wanted, oh, dining fine-
Don’t give a damn and enjoy this night, this moonshine!


Beyond the mountains, the crowning guardians,
There was an horizon that spanned the sky
From the seven stars in the cold East
To the sun hidden forever on the brink of the West.
At the foot of a glacier, where the moon turned blue,
I was come finally to the end of my way
Where there was an aurora every day.

In the cold warmth of the infinite loneliness,
Within a loud silence, slept a new world.
In the dark virgin waters, an unborn child swam,
And I knew somehow it was the coming of man.
The sun was never to rise in my eyes again;
I was finally come to the end of my way
Where there was an aurora every day.

A fierce wind lay to rest the reeds around me.
The flock of birds in the distance only reminding me
Of the many, many miles lying open behind my back,
My footprints in the mud showing my children the track-
I knew I was somewhere in a place they called home.
I was finally come to the end of my way
Where there was an aurora every day.

Das Opfer des schwarzen Blutes

Denken Sie nicht über die Wahrheit, mein Kind,
Die Dunkelheit ist notwendig für unsere Augen!
Wo sind wir zu gehen, wenn wir nicht wissen, Krieg?
Wo können wir gehen, wenn es keine Straßen?

Lass dich nicht von den Geräuschen, Kind, Angst
Halten Sie alle Ihre Ängste auslaufen
In den Frauen, die Träume haben für Kinder,
In die Herzen der Unwissenden und Ohren.

Hurt sich selbst und lassen den Blutfluss, Kind,
Weil sie werden für immer die dummen Affen!
Die Wissenschaften sind Sie wissen Geheimnisse
Welche von ihren kleinen Herzen verschwinden!

Leg deinen Kopf auf meinen Schoß und weinen, Kind,
Damit die Menschen können niemals lernen,
Von Ihrem Opfer, das notwendig ist für die Zukunft,
Die Lehren, die Sie für heute abend sterben müssen!



The sacrifice of black blood

Do not think about the truth, my child,
The darkness is necessary for our eyes!
Where do we go when we know not war?
Where can we go if there are no roads?

Do not fear the noise, child,
Leave behind all your fears
For women who have dreams for children,
To spill into the hearts of the ignorant and ears.

Hurt yourself and let the blood flow, child,
Because they will forever be the silly monkeys!
The science you now know are the secrets
Which must disappear from their little hearts!

Lay your head on my lap and cry, child,
So that people may never learn
From your sacrifice, that is necessary for the future,
The lessons that you have to die for tonight!

Orison of the knowing

Welcome home to this world, this world that makes us;
The world is the land beneath the road that takes us
On the journey we so often seek to undertake
Unto cities of gold where lie the fortunes we must make!

The world is the name of the cross that aches us;
The world is the home of the foe that stakes us;
Here we with memories bury the hatchet of hate
When our golden dreams fall to the ground insatiate!

The world is the hue of the blindness that breaks us;
The world is the shade of turmoil that shakes us;
Only here rests the unseen good of an unseen god
But punishment–oh yes–must be with a firing squad!

Such is the reward of this world that baits us
Guarding our treasure with trying fate it awaits us!
It is no longer the world that once remained our own;
‘Tis the sole truth to the ignorant we must make known!

All of Billy’s mistakes

A tick mark here, a tick over there
The sheer number of errors’ a scare
I sip my coffee and move my arse
Boy how do I wish idiots were scarce

I flip to the first page of the book
To satiate my curiosity, I take a look
And see the pencilled name of that Billy
Like a kid’s scrawl, all crooked and silly

Civilizations rise, people mourn their fall
I only once said we needn’t care at all
That’s a fact and it’s going to hold true
If idiots have used the world before you

But these oddments are all somehow in power
And now I’m still not home at this hour
I’ve to correct all of Billy mistakes
Before my dawdling career applies its brakes